BWW Reviews: World Premiere of STONE SOUP is a Delicious, Family Friendly Treat
broadwayworld.com
August 1 3:08 PM 2014
by Jeff Davis
SummerStock Austin has a long tradition of producing one musical specifically written for the under 13 set every year. I was introduced to this tradition back in 2012 when I went to a performance of SummerStock Austin’s production of A Year With Frog and Toad. As a childless twenty-something guy, I was the only adult in the audience who was unaccompanied by a kid. Nevertheless, I enjoyed the show and praised its ability to please all audience members, regardless of age. The next year, I attended The Bremen Town Musicians, and was pleased to see that, once again, the show spoke to adults and children. It’s no surprise then, that history’s repeating itself with SummerStock Austin’s production of Stone Soup. In its world premiere production, Stone Soup pleases kids and adults alike and easily entertains from beginning to end.
The musical is an adaptation of the folk story of the same name. A traveler named Alex (Vincent Hooper) stumbles upon a city made entirely of stones where its citizens have been taught by their evil Mayor (Sarah Yoakley) to trust no one and fear everything. Alex eventually unites the citizens, gets them to work together, and teaches them to confront their fears, all by convincing them to help him cook his world famous recipe for stone soup.
Much of the success of the production is owed to Allen Robertson. It’s clear that Stone Soup is Robertson’s brain-child. He serves as composer, lyricist, director, co-book writer (with Damon Brown), and co-choreographer (with Jenna Carson and Vincent Hooper). Though wearing five hats could easily make anyone over-extended, Robertson is a true renaissance man. His score is joyous and features a mix of styles varying from funk, pop, Latin and Broadway sounds, to name a few. The eclectic nature of the tunes is a wise and effective choice. It keeps the audience engaged, something many children’s shows struggle to do. The book is full of one-liners that reach to all audience members, regardless of age, and incorporates messages about teamwork, fear, and friendship without beating them to death.
As with all of SummerStock Austin’s shows, every member of the ensemble gives an all-out, high energy, and professional performance. Noah Villereal, Ronan Melomo, and Monica Oliva showcase their comedic prowess as the Three Stooges-esque Winkin, Blinkin, and Nod, as does Gray Randolph as a hysterical, Russian-folk song singing mamma with a menagerie of children. Sarah Yoakley gives a commanding performance as the villain, Mayor Imperia. She’s tyrannical and glamorous, and her vulture-inspired costumes by Pam Fletcher-Friday are absolutely stunning. Kalie Naftzger is sensational as Nadia, the sole citizen who dares to criticize Mayor Imperia. Naftzger sinks her teeth into the role of the heroine. She’s headstrong, feisty, and sarcastic, and her delivery of the Disney Princess-spoofing tune “Wishing” is a highlight of the show. As Alex, Vincent Hooper excels as well. Hooper owns the stage. His comedic timing is outstanding, and his spirited dance moves evoke the memory of a young Michael Jackson.
SummerStock Austin has a 10 year history of excellence, and Stone Soup is a welcome addition to that legacy. An energetic, high spirited crowd-pleaser, Stone Soup is mmm mmm good.
Running time: 1 hour and 10 minutes, no intermission.
STONE SOUP, produced by SummerStock Austin, plays The Long Center for the Performing Arts (701 W Riverside Dr, Austin 78704) now thru August 10th. Performances are 8/2, 8/6, 8/8, 8/9, and 8/10 at 10am and 8/3 at 2pm. Tickets are $5 children and $10 general admission. For tickets and information, please visit www.summerstockaustin.org
Review: “Stone Soup”
statesman.com
Posted: 11:09 a.m. Monday, July 28, 2014
By Cate Blouke
Special to the American-Statesman
Adults could learn a lot by paying attention to children’s stories. They tend to teach valuable lessons about sharing and caring and treating people well – which it seems like a lot of us forget by the time we go off to college.
“Stone Soup,” the Theater For All production of Summer Stock Austin’s season, playing through Aug. 9 at the Long Center’s Rollins Studio Theatre, is a classic folk tale turned into a charming piece of musical theater.
Written and directed by Allen Robertson with his “Biscuit Brothers” co-writer Damon Brown, the show tells the story of an adventurous young traveler, Alex (Vincent Hooper), who stumbles into a stone city that’s uncharacteristically hostile to strangers.
The evil mayor Imperia (Sarah Yoakley) has taken the adage “good fences make good neighbors” and gone off the deep end with it. In an effort to maintain her power, Imperia has stirred the townspeople into such a fearful frenzy, they’re working day and night mining stones to build a wall one thousand feet tall. This has the effect of creating an ominous atmosphere of suspicion, as well as allowing for some delightful choreography involving shovels-turned-batons.
Robertson’s music is catchy and fun, and it’s just a shame that the musical accompaniment in the production is recorded rather than live. It ends up sounding a bit shallow next to the robust singing of the cast.
But the ensemble is talented and brings energy and enthusiasm to the show. To balance the grim tone of life in the bleak stone city, there’s plenty of humor and some nice physical comedy between the citizens Winkin’ (Noah Villereal), Blinkin’ (Ronan Melomo), and Nod (Monica Oliva).
When the townspeople refuse Alex any food, he convinces them he can make “stone soup” in the town well. Charming them into inadvertently cooperating, he succeeds in both rescuing a girl, Nadia (Kalie Naftzger), from the bottom of the well (where Imperia had thrown her for questioning authority) and cooking a delicious soup with the ingredients the townspeople contribute.
In his role as the curious and charming explorer, Hooper brings unswerving optimism and smooth dance moves to the production. A gifted performer, Hooper shines just as brightly in this show as he does in SSA’s concurrent production of “Footloose,” where he plays a much more somber role.
In the end, “Stone Soup” is a cute and funny family show, with some nice meta-theatrical flourishes (when Imperia calls for back up dancers) and just the right amount of moralizing.
“Stone Soup” continues through Aug. 9. www.thelongcenter.org
